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13.10.01
So it seems I'm Amanda's bitch.
On Thursday, a box of Bart Simpson chocolate peanut butter cereal appeared on Dave's desk, and a box of Homer Simpson cinnamon donuts cereal appeared on Marty's. We were discussing who could have done it, and narrowed the suspects down to Jesse and Amanda. So we had a trial. Amanda showed up just as we were getting ready, so I was appointed to confine the suspect in the kitchen. She tried to make a break for it, and I had to wrestle her to the ground.
Meredith was the judge, using Dave's geology hammer as a gavel. April-Lyn was the bailiff, and had us swear on the quantum physics book to "tell the truth, the whole truth, and nothing but the truth, so help you Schroedinger." Dave was the prosecuting attorney. I was the court-appointed defense attorney. The jury was Jeff, Mikey, Missi, and Atticus, and they were drinking all through the trial.
Amanda got off on the two counts of cereal box planting, but was found guilty of one count of rigging Dave's door with a tennis ball. She later admitted to the tennis ball charge, though she initially lied under oath about it. Perhaps Jeff was right -- as a potential English major, we should have had her swear on Shakespeare.
During the course of the defense, I brought up the Pop Tart incident. This incident occurred when I stopped at Big M and bought blueberry pop tarts for Amanda because she didn't want to go all the way downtown to get them herself. At this point Dave said "let the record show that Stenny is Amanda's bitch." I objected, citing the fact that I was going downtown anyway in order to cash a check at the bank, which is just across the street from Big M. Meredith decided to let the jury rule on this charge. They pronounced me guilty.
At this point I could potentially have appealed to a higher court (if I could find one). But then Marty remembered that he had some bitch rights over me from the orientation issue, when he kept getting me to write stories for News. So he signed those over to Amanda. So even if I wasn't her bitch before, I am now, as she has, if nothing else, the bitch rights that once belonged to Marty.
posted by Stentor Danielson at 16:54 -- link -- comment
11.10.01
We have Whitlams! Repeat, we have new Whitlams. Well, not really new -- the album (Undeniably) was recorded in 1994. The sound is somewhat different from the later two (Eternal Nightcap and Love This City), but I suppose that's to be expected given that co-founder Stevie Plunder was still alive for Undeniably.
Now I just have to be careful that Amanda and Maggie don't steal it.
posted by Stentor Danielson at 14:49 -- link -- comment
The InterLibrary Loan slip attached to Preservation On The Reservation lists me as "stentor, d," which is crossed out and replaced by "Danielson, S." Ah, the perks of having a weird name.
posted by Stentor Danielson at 02:44 -- link -- comment
10.10.01
Try again...
posted by Stentor Danielson at 00:55 -- link -- comment
A test, for Dave.
posted by Stentor Danielson at 00:52 -- link -- comment
9.10.01
I like the weather we've been having. A lot. Yesterday morning I woke up and saw snow on the roof, and I could smell the cold air coming in through Marty's window, which I had forgotten to close. And it just felt like I was really home. Today I walked downtown, and on the way home I was kicking the layer of leaves that was laying across the sidewalk. The smell of fall leaves is one of my favorite smells in the world. On the corner across from '34 House I saw the oak trees were still green, but some of the smaller trees around them were bare already. This is why I will never move to Australia.
posted by Stentor Danielson at 13:24 -- link -- comment
8.10.01
I don't say this often, but I've found a neat poem (courtesy of Amanda). There's generally something I just don't get about poetry. Maybe it's how essentialised the thoughts become when you turn them into a short poem. Stephen R. Donaldson said something in his introduction to Daughter of Regals about how novel writing is like throwing words at your subject and hoping some stuck, whereas in short story writing you have to pick your words carefully and stick them on your subject -- in the pocket, or tucked behind the ears. I think this can be extended farther to poetry. My brain is just not subtle enough to see how the words are placed around the subject, like a connect-the-dots with too few dots. I guess that's why I like "Jabberwocky" so much -- because it's all about the sound of it, not the content.
"Marginalia" worked for me, though. Maybe it's because the verse was so free that I read it like a short bit of prose that was broken up by repeated e-mail forwarding (though mercifully sans greater-than signs/closing angle brackets/carrots). So I could take it as prose (doubtless missing a lot of subtlety, but grasping the thrust of it). This would be a good place to launch into a tangent about how reading things off the computer screen affects the reading experience, and the making of marginalia in particular. Or I could talk about my own experiences with marginalia -- buying my books early so I could get the least underlined ones, or drawing a cartoon at the end of Genealogy of Morality of a guy saying "I'm Friedrich 'the colossal ignoramus' Nietzsche, and I hope you liked my crappy book!" But unfortunately I have school work to finish.
Oh, and I have to endorse anything that refers to Swift's "A Modest Proposal."
posted by Stentor Danielson at 20:38 -- link -- comment